The Best Book Covers of 2019

Its the season of best of lists, and with the bonus of this being the end of a decade, were being treated to double the number of best of lists this year. What shouldnt be overlooked among those lists are the incredible book covers that graced shelves this year. Works of art in and of themselves, its an outdated belief that we shouldnt judge a book by its cover. The reality is we do and that we should. In honor of that, lets take a peek at the best book covers of 2019.

Finding information about the designers and artists behind book covers isnt always possible. Ive done my best to track down that information. In places where that is missing, any leads would be appreciated.

The Best Book Covers of 2019

The Ash Family by Molly Dektar

Cover design and illustration by Kimberly Glyder.

This is one of those covers of which I would happily buy a print and hang on my wall in the center of the living room. The shades of blue and orange contrast against each other beautifully. That stark contrast gives off the feeling of turmoil amidst the calm of the forestimagery that aligns with life in the Ash Family commune.

Sophia LeFevre

The Confessions of Frannie LangtonThe Confessions of Frannie Langton by Sara Collins

Cover Design by Robin Bilardello.

The cover of this book is fairly simple, but the small details convey an incredible amount of emotion and tension. The dress is historical and gives a sense of buttoned up propriety, but the gripping hands tell us everything we need to know about Frannie Langton. Shes in pain, begging to cry out, but forced to hold it in. I absolutely judged this book by its cover, and Im so glad I did. It was a fantastic historical mystery, complex and thought provoking and unforgettable.

Susie Dumond

The Dutch House by Ann Patchett

Cover Art by Noah Saterstrom.

I saw Patchett speak in Chicago shortly after her new novels release. She said: Book jackets are like your birthday. A week before, you insist you dont know what you want to a friend and say you dont want anything, and when that person gives you nothing, and you go to bed on your birthday hurt and bitter, its only your own fault. So she fought for her version of the cover. She didnt want a houseshe wanted that to exist in the readers imaginationbut she thought it would be wonderful to have it feature the portrait of 9-year-old protagonist Maeve, an object that is important within the novel. Her first choice for artist, Noah Saterstrom, delivered the art that would become this gorgeous, richly colored cover.

Leah Rachel von Essen

Empress of Forever by Max Gladstone

Formidable woman staring out at you from underneath a giant, horned emerald space helmet? Please tell me more. Space operas arent my typical genre of choice, but Im happy Max Gladstone lured me with this one. Why? Because he writes some of the most interesting, complex, flawed, and fiercely intelligent female characters of any author out there. That includes tech mogul Vivian Liao, who gets sucked into a space quest largely because of her own hubris, and that includes the titular Empress, taking a moment out of her day in her universe-spanning empire to tear you to shreds with her eyes on this gorgeous cover.

Nicole Hill

Escaping Exodusby Nicky Drayden

Cover Design by Richard L. Aquan

Cover Illustration by Courtney Seage Howlett

Nicky Draydens books are trippy, transcendent experiences, and her latest is no exception. Escaping Exodus takes place in the hollowed-out body of a giant space beast in which humans, having fled Earth generations ago, now make their home. Its a psychedelic space romp with a queer black romance at the center, and all of this is somehow portrayed perfectly with its swirling purple and green cover. The eyes of the figure at the center of those swirls display both trepidation and resolve, setting the tone for the whole novel. That cover is serving up chaos, strength, beauty, and tentaclesthe latter of which plays a much larger role in the story than youd think.

Nicole Hill

Her Royal Highness by Rachel Hawkins

Cover Design by Jessica Jenkins.

Cover Art by Sara Herranz Millares.

How clever, to pull the reader into the book with a cover that holds their gaze and shows them their own reflection in extremely aspirational heart-eye sunglasses. Its so perfectly encapsulates the feeling of reading a first-person narrative about falling in love with a Scottish princess. The level of detail in the illustrationthe dimples, the gorgeous hairis intriguing and stylish but not too busy. The first book in this series by Rachel Hawkins, Prince Charming, also got a major glow-up this year with a new title and cover, and it really fits the vibe of these breezy, tropey YA romances.

Isabelle Popp

Laura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-OConnell

Cover Art by Rosemary Valero-OConnell

I knew I needed to read this book the moment I saw the cover, before I even knew what it was about. The aesthetic was that strong. The art style is clean and eye-catching, and it alludes to the novels theme of realizing your first love is toxic so well. Also, look at all those shades of pink! Its not only one of the best covers Ive seen in 2019 but possibly one of my all-time favorite YA covers.

Andy Winder

Long Live the Tribe of Fatherless Girls by T Kira Madden

Cover Design by Tree Abraham.

Madden fills her memoir with nostalgia, evoking all the warm and fuzzies for Moon Shoes, jelly sandals, Sour Straws, and other joys of the 90s/00s. The blue-to-pink fade on the cover, complete with foiled sparkles, embodies the feeling of looking back and reminiscing about childhood. But for Madden, her childhood was complicated, and the whimsical cover stands in stark contrast to the harsh realities of her early life.

Kendra Winchester

Love From A To Z by S. K. Ali

Art Directed by Lucy Ruth Cummings

Photography by Meredith Jenks

Its so rare to get book covers like this. It features two Muslim teens of colour, with one of them being a hijabi. Plus, the colour blue adorning the cover and the models is absolutely stunning.

Adiba Jaigirdar

The Many Colors of Harpreet Singh by Supriya Kalkar, illustrated by Alea Marley

Cover Illustrated by Alea Marley

I was so happy to see a book celebrating Sikh culture and religion on the cover. This childrens book showcases a beautifully colored illustration of a young Sikh boy wearing the traditional turban, or patka. Sikh people have unfairly suffered from our current racist society, so Im happy to see a book celebrating their kindness and charisma. This book is relatable to anyone who has had to move and make new friends. Supriya Kalkar expresses her protagonists joys and fears through colors of the season and his environment. I would love to see more books like this, celebrating the many cultures of people of color.

Shireen Hakim

Medieval Bodies by Jack Hartnell

Cover Design by Peter Dyer.

I found this in a book fair. It was the only copy in show and it caught my eye instantly. It is printed in a silky paperback, with lots of different textures and gold foiling. Plus it is an amazing piece that incorporates both amazing graphic design and medieval art work.

Giovanna Centeno

Mostly Dead Things by Kristen Arnett

Cover Design by Jakob Vala

Cover Illustration by John James Audubon

I debated between this cover and a ton of other big images of animals on adult book covers (Bunnyby Mona Awad,Rabbits for Foodby Binnie Kirshenbaum,Gingerbreadby Helen Oyeyemi, and several others) but ultimately, Arnetts cover just stands out a tiny bit more. Why? Maybe its the fact its a flamingo. Maybe its the fact its a shock of chartreuse against the pink bird. Maybe its also the combination of the cover and knowledge its a book with a prominent taxidermy shop in Florida. Its simple and beautifully memorable for that.

This is an actual plate from Audubons work, repurposed for a book cover.

Kelly Jensen

Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir, illustrated by Aaliya Jaleel

Cover Illustrated by Aaliya Jaleel

This book has the most uplifting cover of any book Ive seen. Beautiful, lifelike illustrations showcase empowered Muslim women of our time, that are making a significant difference. Sheroes like Ilham Omar and Ibihaj Muhammad are celebrated on the cover, and the illustrations only get better and brighter throughout the book. Not only is it exciting to see faces I recognize from community events, but it is confidence-boosting to see women of color and women with head covers.

Shireen Hakim

Natalie Tan's Book of Luck and Fortune by Roselle Lim cover imageNatalie Tans Book of Luck and Fortune by Roselle Lim

Cover Art and Design by Vikki Chu

This is another book that drew me in through its lovely cover and kept me there with its story. The colors in the title and illustrations complement each other perfectly, and its atmosphere reflects the novels passion for cooking and community well. After the unexpected death of a mother she hadnt spoken to in seven years, Natalie returns to her childhood home in San Franciscos Chinatown. Shes shocked to discover that she has inherited the family restaurant and, after an encounter with a local seer, uses it to help her neighbors.

Andy Winder

Nocturna by Maya Motayne

Cover Design byAurora Parlagreco and Jenna Stempel-Lobell

Cover Art by Mark van Leeuwen

I was perusing through the historic City Lights Bookstore in San Francisco this summer and Motaynes novel just stood out to me with its monochromatic cover. The mosaic design with varying shades of red and orange synchronize to create something that looks like a doorway into a magical world. The cover doesnt give away much about the book, which makes sense since one of the characters wears mystery like an accessory.

Neha Patel

The Opposite of Always by Justin A. Reynolds

Cover Design by Erin Fitzsimmons

Cover Art by Stephanie Singleton

While Im sure not many would call this flashy, I love it for that reason. Not only are there PoCs on it, but on each level of the staircase you can see snippets of Jake and Kates story through all the different cycles, even the one where theyre apart. It is something you dont really notice until youve read it, and that is genius.

PN Hinton

Permanent Record by Mary H.K. Choi

Cover Illustrated by gg

Cover Designed by Lizzy Bromley

This dynamic cover is two-for-the-price-of-one. With the hardcover release, readers got to enjoy a transparent dust jacket that is designed to look like the main character, Pablo, and his love interest, Leanna, in an almost-kiss. Readers who remove the dust jacket, however, see how the Leanna from before is really an oversized poster on the street which a smaller Pablo, illustrated on the cover, is about to pass. The symbolism, particularly as it relates to the themes of the book, is equally genius and stunning.

Abby Hargreaves

The Revolution of Birdie Randolph by Brandy Colbert

Cover Design by Marcie Lawrence.

Cover Illustration by Erin Robinson.

2019 might go down as the year that denim jackets came back for teensat least when it comes to teens on YA book covers. As awesome as they were to see this year, it was this cover that really stands out. The bright yellow background contrasts with the jacket and Birdies amazing hair, and all of the pieces of this cover smartly contrast grittiness and sweetness, just like Colberts book does.

Kelly Jensen

The Seamstress by Allison Pittman

Cover Designed by Jen Phelps

I just dont get tired of looking at this cover! The Seamstress tells the story of the seamstress from A Tale of Two Cities. It takes a minor character and breathes life into her. What I love about the cover is that it seems so simple, but there is so much there: the womans profile, the French flag acting as shawl, the gorgeous calligraphy that becomes a skirt, the needle and thread tucked behind her shoulder.

Jesse Doogan

The Starless Sea by Erin Morgenstern

UK Waterstones Exclusive Edition

Designed by Suzanne Dean

This is one of my most anticipated books of the year, and its now one of the most beautiful books in my collection. The gold bee glistens on the swirling blue marbling of the cover; under the dust jacket, a gold bee, sword, and key (three symbols important to Morgensterns story) shine embossed on a turquoise cover. A breathtaking design worthy of one of the biggest fantasy releases this year: romantic and evocative of old books.

Leah Rachel von Essen

Technically, You Started It by Lana Wood JohnsonTechnically, You Started It by Lana Wood Johnson

This cover is without a doubt among my fav of the year. The color palette, the sweet drawing style, the multitude of tiny hints about whats to come in this sweet YA romcom. The book is told entirely in text messages, making the nearly graphic novel effect of the cover even more suitablemaking it appeal to just the sorts of people who enjoy reading books with a strong visual style.

Ann Foster

cover of The Ten Thousand Doors of JanuaryThe Ten Thousand Doors of January by Alix E. Harrow

Cover Design by Lisa Marie Pompilio

This is a book about Doors between worlds, in which the key to those doors may be the protagonist herself, January; it is fitting for the cover to be a lock surrounded by keys. Its also visually arresting. The bright flowers and gold lock and keys draw the eye and make you want to open that Doorand go through it into the book.

Annika Barranti Klein

Trust Exercise by Susan Choi

Cover Designed by Nicolette Seeback

I love the bold colors on this cover. The repeated pattern of folding chairs is a clever nod to where the story begins: in a performing arts high school where Sarah, David, and their fellow theater students are in the thrall of their drama teacher, Mr. Kingsley. One of their key acting exercises involves sitting in chairs staring at each other, but the chairs on this cover all face in different directions. Perfect for a novel in which three linked narratives undermine and rearrange one another. The text is almost subsumed by the art (notice how the arm of one chair goes right through the r in the word Exercise), like its struggling to stand apart. This novel is full of questions and grey areas, but the cover is shockingly, gleefully in-your-face.

Kathleen Keenan

An Unconditional Freedom by Alyssa Cole

Cover Design by Kris Noble.

The first two Loyal League covers blew me away, with their beautiful depictions of the amazing Black women who would be the core of the story. This time, though, the heroine isnt featured, which isnt a rare thing in historical romance. What is rare, though, is the gorgeous dark-skinned man featured alone (and properly dressed!), the pain of his past clear on his face. Hes captivating to look at, and any reader who picks him up knows theyre in for a hell of a story.

Jessica Pryde

The Water Dancer by Ta-Nehisi Coates

Cover Illustrated by Calida Garcia Rawles

This cover is so evocative, and even the little detailslike the waves lapping over the title and authorare part of its art. The way the cover came about is unique too. Ta-Nehisi Coates asked artist Calida Garcia Rawles if shed be interested in painting the cover for his book after visiting her studio. She agreed, and so we have this gorgeous cover.

Margaret Kingsbury

We Set The Dark On Fire by Tehlor Kay Mejia

Cover Design by Molly Fehr.

Cover Illustrated by Cristina Pagnoncelli.

I have a weakness for typographic covers, and Im absolutely obsessed with the effect of the papel picado design of We Set The Dark On Fire. The shifting gradient overlaid on a black background makes every tiny detail of the cutouts stand out, letting the title and the design speak for itself. Simultaneously subtle and stunning.

Rachel Brittain

The Wedding Party (The Wedding Date #3) by Jasmine GuilloryThe Wedding Party by Jasmine Guillory

Cover Design and Illustration by Vikki Chen

Im always a fan of purple-hued covers, so this book cover immediately drew me in! Since I also got married this past summer, I grew interested in reading books with wedding scenarios as a focal point!

Cathleen Perez Brenycz

Wilder Girls by Rory Power

Designed and Illustrated by Regina Flath and Aykut Aydogdu.

Im not sure Ive ever seen a cover more perfectly matched for a book. Both are beautiful, unforgettable, and undeniably creepyin the best way. The way the face is sliced, slowly unraveling to reveal the flora underneath, is just a perfect representationboth literally and figurativelyfor everything that happens to the students at the Raxter School for Girls.

Rachel Brittain

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